CONTEXTUAL PRESENTATION














Haraway, Donna. 1997. “You Are Cyborg.” Wired. January 1997. https://www.wired.com/1997/02/ffharaway/.


Jameson, Fredric, 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press


McLuhan, Marshall. 1967. “The Medium Is The Message” (Side B). Recording, Columbia Records. Released on: 1967.01.07


Mirzoeff, Nicholas. 2015. How To See The World. UK: Penguin Random House.


Mosco, Vincent. 2004. The Digital Sublime: Myth, Power and Cyberspace. Cambridge, MA: MIT Press.


Nye, David. 1994. American Techological Sublime. Cambridge, MA: MIT Press.


Zervigón, Andrés Mario. “Photography’s Weimar-Era Proliferation And Walter Benjamin’s Optical Unconscious.” In Photography And The Optical Unconscious, Edited By Shawn Michelle Smith And Sharon Sliwinski, 32–47. Duke University Press, 2017. Https://Doi.Org/10.2307/J.Ctv1220Nmn.5.


Rolfe, Jeremy Gilbert. 1999. ”The Visible Post-Human in the Technological Sublime” Beauty and Contemporary Sublime. New York: Allworth Press.


Mirzoeff, Nicholas. 2015. How To See The World. UK: Penguin Random House.


Rozendaal, Rafaël. n.d. “Quiet, Calm, Staring – Online Exhibition at Upstream.Gallery.” www. upstreamgallery.nl.

EXZ



︎    OVERVIEW
︎       CONTEXT
︎        METHOD
︎    OUTCOMES
︎                WIP
︎    REFERENCE